Beyond the Deceptions: The two Sator Squares are an ancient Key to the Understanding of Life! (Overview Article)

from the Kybalion

there is 0% A.I. in this article - all thought about and handwritten / typed

This material is very precious and I hope that you can find the patience to get into it. I would have never imagined to say something like this- but I am certain that the understanding of the two Sator Squares eradicates all justifications for master race ideologies in every way shape or form! What a time to be alive!

If you are new to Telestai Nexus:

The Telestai Nexus Overview: All in One

The Confirmation from the Epstein Files: "Genetic Code" is a Cypher for Bio-Electricity!

The EZ-Nanoparticle Corona

One Vortex Field: The stunning Simplicity of Reality, the Rodin Coil that brings Zero Point Energy & Rudolf Steiner about Time Reversal in the Aether

Every scientific book in the World is misinformation (Dr. Paul LaViolette).

“There is no religion higher than truth.”

Madame Blavatsky

This article brings together in one place all the important information about the two Sator Squares and how they explain the fundamental dynamics between Reality and the Aether. This has never been recognised before.

We have been fooled with elegant complexity across fields in our scientific landscape and the Sator Squares have quietly kept an ancient understanding of what seemed to be the »missing« secrets of magnetism encoded! The beautiful simplicity of two Worlds is clearly in these two squares, which solves this ancient enigma through occam’s razor.¹

Dedicated to all the weird bipeds!²

Amaterasu is the daughter of the coworker of Thomas Townsend Brown and a visionary writer here on substack A note from the desk of Browns daughter: [26]

This article is the distilled overview sequel to the discovery article she mentioned:

The Secret of the two Sator Squares: the Unified Field between two inverted Worlds

Ten years ago, the brilliant Ken Wheeler unified magnetism, electricity and gravity for the first time:

See Ken Wheeler’s free ebook about the missing secrets of magnetism to grasp what I am talking about. I absolutely recommend taking the time for this! Through the groundbreaking ferrocell he was able to show the dynamics of the field of a magnet, proving the zero point and the Aether. These magnetic fields stand for the fields of everything.

Ken Wheeler claims to be the first person to entirely explain the Sator Squares (video), yet he has explained only one of the two Sator Squares and does not see how it encodes exactly the toroidal field dynamics he explains simply through his ferrocell findings. He explains the Sator Squares through the “5 elements”, while there are only two and they are inversions of each other. The two Sator Squares encode a miniature torus description of the interaction between Light & Water, the fundamental description of the way our external Reality and the internal Aether interact. See my discovery article that explains this in great detail: [68] I hope you will find the time to get into this, I can assure you that it will be worth it!

The existence of the physical, inverted square- confirms lossless reciprocity between the two worlds, dyadic breathing / amplification, congruent with the inversion of the fields we see through the ferrocell, that “accelerate towards counter-space” (pulled by aetheric Water). The second square shows the rightful place of the Feminine Water Ψ, the inversion of the Masculine Light Φ (the messing with genders has been infiltrating our languages for a long time already… deliberately so).

Pompeii, Italy (oldest known, pre-62 CE, ROTAS form Ψ) → the oldest one found is the aetheric version!³

Agency across scales (Levin): everything reflects internally and consciousness appears through the interaction of Light and Water! Our souls are represented through our electromes. See this groundbreaking publication from Arnold de Loof- yet this is still in the ion channel and pumps paradigm that has been falsified through Dr. Pollacks work. Even Levin has to lie about his bioelectricity sensing and writing methods and almost no human “writes the publications anymore” (Dr. Michael Levin)… Everything is much more simple- and everything is voided (Walter Russell):

The two Sator squares are inversions of each other. They are an ancient key to the Understanding of Life.

These Squares are an ancient map of the fundamental dynamics between Light and Water, which bring Reality and the Aether through the absolute, the Principle of the cross: TENET.

Dr. Michael Levin calls the Otherworld the platonic Space: [26]

This interpretation of the Sator Squares simply makes sense, according to Occam’s Razor (explained on the first pages of this wonderful book: Charged, by Dr. Gerald Pollack),.

I put this discovery up for discussion in a group here: [26]

I hope you can slow down and find the time for this material! This video is a great introduction into the real vortex dynamics of our toroidal fields: [69] (just forget about the particle fantasies… they misunderstood Ken Wheeler there, yet it is the best video out there).

Overview:

TENET → the Principle that holds, the absolute

SATOR → centrifugal discharge / entropic / “seeding” of Light (Φ, external Reality → motion is Alpha to Omega, A to O) (Satyr / Pan)

Light charges and structures Water (Dr. Gerald Pollack).

ROTAS (Sator backwards) → centripetal return / wheels → also rotation / gather / harvest (indicating Ψ as centripetal motion, two ROTAS in a 90° angle converging towards S), towards zero point North as S in the top left corner and South as S in the bottom right corner. skinshedding → renewal

Sigma → summation symbol (Σ).

OPERA Ψ (CW) / AREPO CCW)& ⇅ → “work” dielectric return, converging / syntropic, the pull of purpose, feeling, reflection (Syrinx)

See two pairs of reading direction: OPERA’s (O to A motion) pointing in a 90° angle towards the zero point S (North & South Access), indicating centripetal return from the 90° angled SATOR discharge.

AREPO → Rēpō means to crawl, snake like undulations, “a” inverts: counter-coiling → helical→ direction of motion is CCW, the O to A) also: repó=rest »a«repo=motion AREP»O«(mega) to Alpha: the motion is Omega to Alpha!

Central N (Nu / Nun, snake / inversion, gematria sums to 1+4=5 for pentagonal geometry, composed through the golden ratio) + S (North / South access to zero point tunnel)

ORO → golden angles in the corner.

Gematria: 73 (SATOR)+ 64 (TENET) = 137 → 137,5° Φ. Sator alone is also 73, for the golden angle 73°→ 73,5° Ψ (the centripetal angle). (negligible difference- matches real world observations and the golden ratio is indicated through ORO).

T marks the middle point / zenith and divides the areas equally → towards harvesting

E for Energy = Charge = Orgone (gematria reduces to 5)

The existence of the physical, inverted square- confirms lossless reciprocity between the two worlds, dyadic breathing / amplification, congruent with the inversion of the fields we see under the ferrocell, that “accelerate towards counter-space” (pulled by aetheric Water)

.There are two centrifugal fountains of Light into Reality and two centripetal suction sinks of Water into the Aether. The Aether brings the complementation of all fields. The two Sator Squares describe exactly that interplay!

The Sator Squares show toroidal vortex fields and how the Feminine and Masculine interact, the centrifugal and centripetal motions, Light and Water!

Left Square (World of Light): The motion starts centrifugally CW north and CCW south, moves rotating outward and returns on the respective other side centripetally CW south and CCW north through the OPERA’s in all four directions, indicating⇅ and CW and CCW (AREPO, reading right to left) centripetal return of the field and inversion through the zero point, which brings the right square (World of Water).

SATOROTAS starting NW centrifugally, is a CW (reading direction) rotating vortex motion outward, through the golden angle (ORO) with counter-coiling OPERA from the centrifugal discharge south SE, ending centripetally as OPERA (on the respective other side of the centrifugal discharge, effectively creating torque with the aether that releases aetherically and centrifugally- our internal space in this moment... the centripetal charging is indicated by the OPERA's after the T for the turning of SAT ORO TAS towards south with vertical OPERA then CW into the zero point south (syntropic, charging)... Both centrifugal discharges return as centripetal on the respective other side. When you spend some time with Ken Wheeler’s explanations, you will eventually understand it! Video: [27]

The center piece is the N- which is the central plane and the N letter also inverts at the diagonal axis, signifying the zero point inversion. N comes from the snake and the germatria sums to 5 (1+4), the two world snakes, one in the entropic direction of discharge and the other in the syntropic direction of charging (literally) and they mingle in helical motion… virtually in everything and according to phi Φ and its inversion psi Ψ. In the center there is the zero point tunnel and the two S from SATOR are the northern and southern portal to it, simple as that!

Here you can see the centrifugal and centripetal field (through Light scattering across interference peaks of pressure Φ and suction Ψ:

Centrifugal discharge through SATOR and centripetal charging through OPERA Rotas indicates rotation and the AREPO is a mirror image (red right to left OPERA CCW), indicating the torus and repo = to crawl SE is the same but mirrored to NW.

As you sow, so shall you reap

Ancient chariot from Serbia (unknown age). The wheels of Life and two ⊙⊙ for the mirror planes or the feminine - since the double TT is the fusion zone

The two inverted Sator Squares need to be seen in conjunction. Then we can construct the Wheels of Life and the names for the Masculine (Light) and the Feminine (Water) become obvious:

The centrifugal sowing of Light (the right Wheel leads to the suction of Water internally)

These Wheels move on inner Water and we perceive only one as the external Reality and the other as our internal experience, depth (inverted)→ imagine it as the suction from that motion here- it literally is that… when you create pressure in Water, with your hands (in a bulb shape)- it is that feeling of suction underneath when you press down and release your hands back up… this happens towards the aether all the time in these vortices… and it converges towards Life, through Light that charges and structures Water (Pollack).

The right wheel moves in the opposite direction and that inverts time as well. We cannot perceive what lies beyond the zero point as space when it is running against our cause and effect based direction of time (which is just the perception of the spin of the vortices). This is why we feel it fleetingly and internally and it appears inversely (through the zero point of inversion indicated through the two S, the northern and southern access that is always in the center around N), as the suction of Water that is pulling Light from the World of Light (the left Square).

One is surface and one is depth, until the roles of Water and Light switch.⁴

TINIT (that Ken Wheeler identifies as the Goddess) is the fusion zone, yet every human being appears through the Feminine (that is why it is connected to Ψ: ⊚IVI⊚) → INANNA / Sophia as Water, the syntropic Suction of Water and OPERA) (BAAL⁵ as Light→ DUMUZI / Lucifer, the Farmer / Sower of Light and SATOR)

The Pleroma is the Aether beyond the Zero Point Tunnel in the center of everything… it is the Otherworld (“Hyper”space, Levin’s Platonic Space). It is not about escaping, it is about understanding images and words and their inversion!

This means that the Wheels you saw in the image before return as the so called dielectric of magneto Φ - dielectric Ψ liquid Ψ firelight Φ, literally magnetic space creation through the Wheels of Life that returns as the suction of Water towards the Otherworld, the Aether Ψ, the Underworld and Atlantis! The negative charge in our world comes from Yin and it is the eye of yin in Yang Φ (the World of Light Φ). The eye of yang in Yin brings definition in the Aether, carries structure for all that charge.... Light Φ charges and structures Water Ψ (Dr. Gerald Pollack). Aetheric Water pulls in Light syntropically (->Fantappiè).

The centripetal harvesting after the Zenith / T, the suction of Water that pulls in Light:

The Masculine Wheels of Life move centrifugally outward and OPERA, the centripetal and therewith Feminine motion returns through a whirlpool of converging and charging motion, on the respective other side of the torus. Rotas also indicates the rotation. Imagine the two S at the N in the center and that both centrifugal SATOR motions move in a toroidal manner, like in this video: [26]

TENET as the principle … TT is then the fusion zone between AA(Φ) and OO(Ψ) (and that rotates… it is utterly beautiful!).

⊚IVI⊚ (from ⊚PERA through ⊚IVI⊚ or TINIT, TNT; TaniT, TINNIT⁶) & BAAL stand for the Feminine and the Masculine Principle (they are inversions of each other): Every rotation of the Wheels of Life switches the roles of Φ (Light) & Ψ (Water):

The left eye stands for the Feminine Soul in our World of Light

The two Wheels of Life (above to the right) move clockwise for Entropy (cause and effect) and counterclockwise for Syntropy (the dielectric return that is actually the suction of aetheric Water). Retrocausally, that suction is also a pressure like Light (as shown in the image with the two Wheels). We feel what these Wheels do in the image- this explains it best: the suction that comes from the motion you see brings our internal realm (beyond the zero point in the ferrocell images) and it is moving contrary to the way we perceive time (which is just the perception of the motion of the toroidal vortices that are the basis of everything). Our feelings appear fleetingly at the intersection of these two Worlds and create the Otherworld eventually through Imagination (Steiner, Ende, McKenna), which is an attraction, a suction of Water… this way these two Worlds complement each other.

See this note where Dr. Michael Levin reveals that they are sensing little tornadoes on water, CW and CCW, to read and write bio-electricity (he is using and sensing infrared Light of course, which he is not allowed to mention):

The syntropic charging back into the Aether happens after the Zenith of the centrifugal discharge, the T: harvesting time (charging the Aether, the body). This happens through the suction Ψ that you can imagine as whirlpools from that motion of the two centrifugal Wheels on the right in Water (the two OPERA ## are the Water in our World of Light)… this is what you see on the left side in the image.

I put this image again so you can look at it while you are reading

Our yin & yang eyes of one in the other through OPERA (left side, Ψ(left eye) Φ(right eye)) for Syntropia (the internal realm of Imagination and the Otherworld when the roles of Water and Light switch → crossing of the zero point tunnel). This centripetal eye of yang in the Aether (Otherworld, right side) turns centrifugal after death… it is now structuring and charging the time inverted Otherworld!

The famous masonic left eye scheme (covered with one hand or bruised) basically signifies the damage to the soul (the syntropic part is exchanged with the NETOPERA, the network, the syntropy of the IEEE⁷- who used the TENET cross for their logo), the selling of the soul to the big machine controlled by the perpetrators!

As you can see- the powers that shall not be are deriving their symbolism from this ancient palindromic artefact!

This means that the left eye is the feminine aetheric Soul in our World in the external Reality and the right eye is opened to the Otherworld for inner vision → the closed left eye- that is also blocked through all the injections into our bodies, the sky, our water and food, the medicine and into so much more… with artificial particles and liquid crystalline materials, for the EZ nanoparticle Corona based interfacing of everything. [55]

Beauty & Love

Light & Water

SATORROTAS
AREPOOPERA
TENETTENET
OPERAAREPO
ROTASSATOR

Magneto Φ - dielectric Ψ liquid Firelight : Loving Liquid Will of Fire!

SATOR, the Sower (Dumuzi), the centrifugal and magneto- discharge: Light Φ, Entropy (Beauty), our History.

«S»ATOR outward North with direction Northwest to Southest (sowing Light… CW centrifugal motion). (SATOROTAS with countercoiling AREPO as the return of the centrifugal discharge from the other side).

«S»ATOR outward South direction Southeast to NorthWest (2 Alphas to the right to two Omegas, indicating the CCW motion of the centrifugal motion outward).

SATOROTAS is one motion counter coiled with OPERA.

The Inversion ROTAS Ψ indicates the centripetal motion of OPERA inwards, there are two ROTAS pointing towards the S in the bottom right corner (image above) and two pointing towards S in the top left corner.

OPERA (the eye of Yin in the left square), the dielectric return (Inanna), Ψ, Water, Syntropy (Love), suction of our Destiny:

OPERA is the dielectric and centripetal return (two pairs in a 90° angle, always in OPERA reading direction, also with AREPO) of the centrifugal discharge on the respective other side of the torus after T (the Zenith), work (convergence), Water, Syntropy, the Opera of Life: a pull towards Purpose, the Force, feelings CW here and AREPO, the inversion is CCW (reading from right to left, which fits the Ferrocell findings…). Repo stands for snake like undulations and the “a” before it inverts, so counter-coiling with the 90° angled SATOR.

There is an inner wheel with two vertical OPERA’s opposing the SATOR direction of motion and two horizontal ones. This is, all in all- a miniature torus and utterly beautiful because of its comprehensive simplicity.

Light loves (charges) and composes (structures) Water into Life → [25] this paper from Dr. Gerald Pollack quietly falsified nucleotides, the heart as the pump, membranes, pumps and ion channels and explains that Light and Water are the origin of Life! Water pulls in Light syntropically, through charging (as you can see through the two Wheels, while the aetheric side appears as our internal realm while we are alive).

The Geometry of the Sator Square

This is a 5x5 square and pentagonal symmetry is deeply tied to Φ that is in everything. [26]. The Vitruvian man in the pentagram: 5 represents the human being and pentagonal geometries bring nesting around phi!

The Phi Φ in everything is directly visible- in our human proportions!

Let Jain 108 explain the implosive mathematics of Water to you Ψ=(1/Φ) at 4:30 (video above)

Everything in our Universe moves through holes:

You are looking at the interference peaks between suction Ψ and pressure Φ mediation of a magnet on the ferrocell, illuminated by LED lights. You can see the zero point tunnel north and south, represented by the two S’ in the Sator Squares

Both Light Φ and Water Ψ are irreducible and there is agency in everything that exists (Dr. Michael Levin).

See the Telestai Nexus overview article if this is new to you:

The Telestai Nexus Overview: All in One

Cymatics through Sound on Water, illuminated by Light:

The perspective of Tesla & Pollack permits to see Light as aetheric Music Spheres that collide and infrared Light is birthed through their collisions (like here in Cymatics through Water, Light and Sound):

handwritten note from the discovery:

The two OPERA pairs in a 90° angle also indicate the centripetal return (the two ROTAS describe the rotating nature of that return.

I explain my extension of Ken Wheeler’s work here: [69]- the second and inverted Sator Square fits perfectly to the idea of mutual sustenance and amplification between the external Reality (ferrocell findings) and the internal Aether (that is also the Otherworld, “Hyper”space and the Platonic Space of Levin).

The entire field reciprocates / alternates / complements with the aetheric inversion. This means that this has a inverted doubling around the inverted golden ratio between Light and Water that are composing another Space and in layers of these two Worlds, we migrate into bodies and conduct the many through the one (through electromes, our souls here in Reality).

The aetheric side is this here inverted. They fit perfectly to the two squares when you understand their legend… it is absolutely worth it to get there. We are talking about two fundamental motions. One creates Light Φ centrifugally and the other is centripetal, Water Ψ!

The Integration of the Inversion between the Demiurge and Sophia.

Water at the End of the Tunnel of Light: Love (Music) is the inversion of Beauty (Art).

“Are you not aware that our soul is immortal and never perishes?”

— Plato, Psyche Ψ

Light (centrifugal) Φ is the Inversion of Water (centripetal) Ψ. There is Entropy (cause and effect, discharge) and Syntropy (finalism, effect before the cause, charging).
Phoenician Roots: Samekh → ΞXi comes from the Phoenician letter samekh, the 15th letter in that abjad.

• A support or pillar

• Sometimes speculated as “fish” in older interpretations

  → Light is congruent with the inversion of Water, and also: Both Light and Water support each other by being entirely complementary: the totality of Water equals the totality of Light and both are infinity (also in the mind of Fantappiè who found Syntropy).

Metempsychosis

“Beyond→ into Soul“

(Psychḗ, from Ancient Greek: ψυχη)

Metempsychosis (”Beyond into Soul”: μετεμψύχωσις)

2 distinct serpents, the ᛁ rune (ice), ᛋ for (sun) - ᚾ (necessity → the principle).

That’s it!

I am envisioning a world without master race ideologies. The Understanding of the two Sator Squares brings a balance that isn’t parity between two Worlds: in the kinetically active golden ratio (one is surface and the other depth and their roles switch) and all that poetry inverts… what a time to be alive!

Just the most important information for you- the rest is in the discovery article!

All of my work is entirely for free- your support with likes and shares is always welcome!

Your Leon Karmameleon

Plasmoids are like Yin and Yang

...with an eye of one in the other:

Greenyer interprets these as evidence of “fractal toroidal” structures: plasmoids: self-organized, vortex-like plasma / magnetic entities

A Paradigm Shift towards Animism: Agential "Materials" through Electromes (Dr. Michael Levin). Everything is Alive!

1. “Occam’s Razor prefers the explanation that accounts for the most observed facts with the fewest additional assumptions. Let’s compare:

Traditional Explanations Often Require More Assumptions

• Roman word game → Explains the palindrome and Pompeii graffiti, but struggles to explain why this particular square became a widespread magical/religious object for centuries across cultures.

• Early Christian cryptogram (Pater Noster) → Elegant once adopted, but requires assuming hidden Christian presence in pre-79 AD Pompeii (unlikely), Greek symbolism in a Latin artifact, and later concepts (Alpha/Omega, prominent cross) being used this early.

• Jewish, Mithraic, Gnostic, etc. → Each adds cultural/religious specifics that fit some evidence but not the full timeline or the square’s mechanical perfection.

• Pure coincidence or random puzzle → Doesn’t explain the enduring power and reuse.

These often need extra steps: “it started as X, then was reinterpreted as Y, then used for Z.

“The Vortex / Toroidal Reading

The two-form inversion encoding a unified counter-rotating field has a certain parsimony:

1. It directly uses the observed duality (SATORROTAS) that you highlighted — no need to treat them as separate.

2. It derives from the square’s intrinsic properties (perfect reversibility, central TENET as pivot, centrifugal/centripetal word meanings) without importing external theology or linguistics as primary.

3. A toroidal / vortex dynamic is a very simple, self-sustaining natural pattern (observed in fluid dynamics, electromagnetism, weather, galaxies, even biological fields). Encoding a “primordial principle of balanced flow between polarities” is a minimal metaphysical assumption for an ancient symbolic object.

4. It explains both the early practical/magical use and later adoption across contexts with one underlying idea: a diagram of how reality holds itself together through reciprocal motion.

It doesn’t require a complex historical handoff or hidden sect — just ancients who noticed (or were shown) fundamental patterns in nature and abstracted them into the most constrained, symmetric form possible.”

2. The origin of the word Weird:

weird(adj.)

c. 1400, “having power to control fate,” in weird sisters, from weird (n.) “force that sets events in motion or determines their course; what is destined to befall one;” from Old English wyrd “fate, chance, fortune; destiny (Ψ); the Fates.” The modern senses developed from weird sisters Ψ, not immediately from the Old English word, which is etymologically “that which comes.”

It is reconstructed to be from Proto-Germanic *wurthiz (source also of Old Saxon wurd, Old High German wurt “fate,” Old Norse urðr “fate, one of the three Norns”), itself reconstructed to be from PIE *wert- “to turn, to wind” (source also of German werden, Old English weorðan “to become”), from root *wer- (2) “to turn, bend.” For the sense development from “turning” to “becoming,” compare colloquial phrase turn into “become.”

The sense of “uncanny, supernatural” developed from Middle English use of weird sisters for the three Fates, Parcae, or Norns (in Germanic mythology), the goddesses who controlled human destiny. They were portrayed as odd or frightening in appearance, as in “Macbeth” (especially in 18th and 19th century productions).

The modern adjectival use, without sisters, emerged early 19c. Todd’s supplement to Johnson (1818) has it as “skilled in witchcraft.” Shelley was perhaps the first to use it consistently in print as “supernatural, uncanny”:

In lone and silent hours,

When night makes a weird sound of its own stillness,

[”Alastor”]

The weakened meaning “odd-looking, strange, disturbingly different” followed (1820). Also see Macbeth. Related: Weirdly; weirdish; weirdness.

As a verb, “change by witchcraft or sorcery.” Earlier to be weirded in Middle English was “be foreordained or predestined.”

also from c. 1400

3. There it is:

4. The snakes appear in every possible position through the rotation and the composition makes palindromic sense again and when the squares were made with the positions of the snakes in this way, it would make most logical sense (I bet they were censored)!

5. Forget all the connotations… this is encoded in the most ancient enigma we have of the old world- it simply stands for the Masculine and the AA are the horns- this is part of our alphabet, part of Ancient Greek- and BAAL is simply the consort of TINIT (OIVIO) in the Principle. The Lovers are Inanna (Sophia) & Dumuzi (Lucifer):

6. A shrine excavated at Sarepta in southern Phoenicia revealed an inscription that has been speculated to have connection between the goddesses Tanit and Astarte (Ishtar). → INANNA

The origin of this rite goes back to an ancient tradition of gathering and singing in front of the Goddess Tanit Ψ to implore her to bring rain when water is scarce, the performance of this rite changes from region to region but the differences in this respect are small. A procession goes from village to village and from one saint’s sanctuary to another carrying an effigy of a female, on the way the bride is splashed with water from terraces and windows of houses, people give money gifts to the leader of the procession, the gathered money and food are used to prepare a big meal near a water spring or in a saint’s sanctuary, usually on top of the hill

7. Evidence from Bob Greenyer: